Most of the cast are exceptional, not just some of the principal actors. Ian McShane plays foul-mouthed saloon owner Al Swearengen, the show’s main villain; although nothing is really that black and white in Deadwood. It's the role he was born to play. All thoughts of Lovejoy will wash away instantly.
Brad Dourif’s Doc Cochran is my favourite part of the show. If you’re familiar with Dourif from his film work you’ll know the power he can bring to a scene.
I should also mention Robin Weigert, who plays Calamity Jane; she steals most scenes she stumbles into with a lashing tongue and a wicked humour.
The presentation is flawless. The cinematography, particularly in the early episodes, helps it transcend the usual TV limitations. Every inch of the frame is purposefully lit. And the town bustles with life so it never feels empty.
It may take some viewers a little more time than others to become accustomed to the vernacular used, but pay close attention and you shouldn't have too much of a problem. It's certainly much more fascinating than what we use today. The excessive use of profanities isn't there just to offend, they help place people socially and are an integral part of characterisation. You should also aim to pick up on things implied though subtle glances and quiet movement because what's unsaid is as weighty and as important as what's overtly revealed.
Deadwood is essential viewing for Western fans, provided you don't baulk at the use of language. Alongside the violence, the double dealings and the remorseless aggression are moments of genuine sensitivity, often tinged with sadness, a combination that plucked an opera on my heartstrings during the finale.
12 episodes, approx 55 minutes each.
5 hungry pigs out of 5
No comments:
Post a Comment